The Killing of a Sacred Deer (2017), directed by Yorgos Lanthimos, is a haunting and meticulously crafted psychological thriller that delves into guilt and the terrifying consequences of moral compromise.
The plot is loosely inspired by the Greek tragedy Iphigenia at Aulis by Euripides, with the concept of sacrifice and divine punishment playing central roles. Lanthimos modernizes this mythological framework, placing it in a sterile, clinical world where emotions are suppressed, and every action feels calculated. The sterile visuals of the hospital, the pristine suburban home, and the unsettling natural landscapes all contribute to the film’s broader allegorical elements.
The moment that Martin reveals his intentions in his monologue (“They will all get sick and die, Stephen. Bob will die, Kim will die, your wife will die, understand?”). The way this line is delivered with such deadpan, matter-of-fact confidence is incredibly unsettling. The sheer assurance behind the monologue, especially coming from someone as skilled as Barry Keoghan, is absolutely terrifying.
The cinematography of The Killing of a Sacred Deer is a masterclass in creating unease and amplifying the film’s unsettling atmosphere.
The film’s color palette is dominated by cool tones—whites, blues, and grays—which contribute to its hospital-like feel. Many scenes are captured with wide-angle lenses, creating a sense of distance and alienation. The camera often follows characters down long, empty corridors, contributing to a sense of impending doom.
The Killing of a Sacred Deer is not a film for everyone as its unsettling tone, enigmatic narrative, and dark themes require patience and a willingness to engage with its deeper meanings. I thought it was a pretty good movie!